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Remigration poster

Documented poster source

TMDB artwork / respective rights holders; exact TMDB-ID record from LeFilm.ca

Remigration

A film by Barry Jenkins

Upon returning to their countryside cabin one day, Kaya, his wife Helen, and their daughter Naomi are confronted by two suited men: representatives of the San Francisco Remigration Program. The men explain that San Francisco is now occupied entirely by the wealthy class. But stoplights still burn out and trains occasionally jump their rails. Blue-collar labor isn't obsolete, but it's scarce. The city has created a program to "remigrate" long-gone working class families from their inland homes back to the city that once pushed them out. Kaya, Helen, and Naomi return to San Francisco and join a handful of other potential remigrants for a tour of what can be expected in their new lives. But can they learn to trust their old home once again?

Released
2011
Runtime
20 min
Country
États-Unis
Club rating
Not yet rated

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The EFC Take

A sharper way into Remigration.

Context for the first viewing. Formal questions for the second.

01 · The clean way in

Remigration is a drama and science fiction film released in 2011 from États-Unis, directed by Barry Jenkins. Its premise is concise but suggestive: Upon returning to their countryside cabin one day, Kaya, his wife Helen, and their daughter Naomi are confronted by two suited men: representatives of the San Francisco Remigration Program. The men explain that San Francisco is now occupied entirely by the wealthy class. But stoplights still burn out and trains occasionally jump their rails. Blue-collar labor isn't obsolete, but it's scarce. The city has created a program to "remigrate" long-gone working class families from their inland homes back to the city that once pushed them out. Kaya, Helen, and Naomi return to San Francisco and join a handful of other potential remigrants for a tour of what can be expected in their new lives. But can they learn to trust their old home once again? The cleanest way in is to let its first images establish the rules before deciding what kind of film it wants to be.

02 · The fresh take

Approach the film as an arrangement of attention—who receives it, what interrupts it, and when it shifts hands. The genre vocabulary gives the film a familiar grammar, then leaves room for accent, hesitation, and surprise. A runtime is not a pace: what matters is how the film spends its minutes and which moments receive the luxury of duration. Here, that canvas runs 20 minutes. A second look would begin with whatever felt incidental the first time; that is often where a film hides its design.

Watch closely

Notice who is permitted to look, who becomes an image, and when that balance changes. The answer is less important than becoming alert to the film’s method.

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